AJNA OR THIRD EYE CHAKRA
My original visualisations for this composite were of a more tightly cropped image of a sadhu's face with the chakra overlays seen here. I found this sadhu wandering along the banks of the Ganges in the holy city of Varanasi, but when I did the original idea crops I was losing his magnificent wavy beard.
By pulling back to at least include his head and shoulders, I could introduce a landscape image into the background. The magnificent cenotaphs in Orchha were shot from the narrow road bridge over the Betwa River at dusk. By extending the exposure and softening the river flow in the diminishing afterglow, the final 20 second exposures actually turned the whole image majenta.
Overlaying him with that background and a textured aqua wall image, I had almost miraculously created the right colour and an etheric plasma like feel to the sky areas. The downward flow of his beard compliments the river softly flowing across the image, whilst the Bundi water temple on the left has a necessary upward flow of symbolic birds. Chakras are, after all, all about dynamic energy flows.
My original visualisations for this composite were of a more tightly cropped image of a sadhu's face with the chakra overlays seen here. I found this sadhu wandering along the banks of the Ganges in the holy city of Varanasi, but when I did the original idea crops I was losing his magnificent wavy beard.
By pulling back to at least include his head and shoulders, I could introduce a landscape image into the background. The magnificent cenotaphs in Orchha were shot from the narrow road bridge over the Betwa River at dusk. By extending the exposure and softening the river flow in the diminishing afterglow, the final 20 second exposures actually turned the whole image majenta.
Overlaying him with that background and a textured aqua wall image, I had almost miraculously created the right colour and an etheric plasma like feel to the sky areas. The downward flow of his beard compliments the river softly flowing across the image, whilst the Bundi water temple on the left has a necessary upward flow of symbolic birds. Chakras are, after all, all about dynamic energy flows.
My original visualisations for this composite were of a more tightly cropped image of a sadhu's face with the chakra overlays seen here. I found this sadhu wandering along the banks of the Ganges in the holy city of Varanasi, but when I did the original idea crops I was losing his magnificent wavy beard.
By pulling back to at least include his head and shoulders, I could introduce a landscape image into the background. The magnificent cenotaphs in Orchha were shot from the narrow road bridge over the Betwa River at dusk. By extending the exposure and softening the river flow in the diminishing afterglow, the final 20 second exposures actually turned the whole image majenta.
Overlaying him with that background and a textured aqua wall image, I had almost miraculously created the right colour and an etheric plasma like feel to the sky areas. The downward flow of his beard compliments the river softly flowing across the image, whilst the Bundi water temple on the left has a necessary upward flow of symbolic birds. Chakras are, after all, all about dynamic energy flows.
Print Information
Chris L Jones’s fine art photographs are printed on archival quality fine art Canson paper. He has tested many different fine art papers and found Canson to hold the qualities most akin to high quality silver halide prints that feel and look superb.
After printing, your photograph is titled and hand signed by Chris. It's then covered, rolled and packed into a hard cylinder tube to guarantee safe delivery. All prints come with 'Framing & Handling' instructions ensuring you get the most from your print(s).
All l prints come with a 'Certificate Of Authenticity', signed by Chris.
Unframed prints take 1-2 weeks for delivery Australia wide and 2-3 weeks for international . All unframed print purchases receive FREE Standard Delivery World Wide.
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